Rapes Are Not Going To Stop.

Its as simple as this. Rapes are not going to stop. No matter how many rapists you castrate and how many women you blame. No matter how many women start dressing 'decently' (whatever that means) and how many of them stop coming out of their homes altogether. No matter what the degree of punishment is. Rapes are not going to stop. 

I am not being cynical. This is THE truth. This is the truth because clothes, location, timings and sexual fulfillment have absolutely nothing to do with rape. This is the truth because the responsibility to protect can also turn into the freedom to oppress. This is the truth because we continue to assign roles of power differently to people of different sexes. This is the truth because justice has slowly been taken over by the idea of revenge. BECAUSE UNLESS A RAPIST'S CONSCIENCE FORGIVES HIM, TRUE JUSTICE CANNOT BE SERVED. This is the truth because sadly we raise our boys differently from our girls (or non-boys). And after all of that we go ahead and solely blame the rapist for his crimes. What about the people who turn him into a rapist?

And so rapes are not going to stop. Not unless we raise our children as children and not as boys or girls. They're not going to stop unless we teach our children to start respecting people for who they are; however different they may be from ourselves. They're not going to stop unless we tell our kids that our gender does NOT dictate our identity or our actions. They're not going stop unless we completely separate the idea of 'Power' from that of Gender'. Completely. And they are not going to start unless we start applying this into our own lives irrespective of what others say or do. It's as simple as that. And yet, it isn't.

Take my word on that.

Second Thoughts

Guest post by Rekha Kamath

Introduction: This is an account of what happened when four of us (all women), decided to go to Goa on a weekend. Events during our return journey prompted this write-up. Reflecting on this trip brought to my attention a staggering number of moments when I felt anger, exasperation and sadness.

“Why do you need feminism? Why that word?”

“You have all your rights. Why do YOU need to be a feminist?”

“Women like us don’t need to call ourselves feminists.”

“You pseudo-feminist. You don’t have to face half the trouble some other women have to, and you call yourself a feminist?”

Time and again, questions like these get thrown at me. Time and again, people try to convince me that I don’t need feminism. That it’s Wrong (yes, with a capital W) to call myself a feminist. Feminism has become another f-word that shouldn’t be uttered out loud.

Today, if you were to ask me why I need feminism, I would tell you this- It is because I have a meek but compelling voice inside my head, which constantly utters second thoughts. My actions are outcomes of constant tussles with this voice. I shall elaborate.

“Let us go to Goa,” suggests one of my roommates. Long weekend, why not. We decide to bundle up our battered work-stressed selves, and start planning. Trains are booked, buses are expensive. “Let’s hitchhike or figure out as we go!”, suggests N. Sounds exciting, until the voice inside my head pipes up. No, what if we get raped/molested on the way? No way. I book the tickets.

Friends suggest we book our stay when we get there. “I have asked four people already, they all say the same thing.” Okay. Fair enough, people seem to have done this already. It is cheaper for us, and you can’t always trust online reviews of places. Wait. Maybe these people travelled with male friends. Will these places have good toilets? I might be menstruating. Let me take down phone numbers of hotels, just in case.

We get to Goa, finally. We find a hotel, close to the beach. N wants to wear a bikini top to the beach. Pretty, and comfortable. What if someone heckles? Very likely. Indian, wearing a bikini. Well, we don’t care. Screw them.

Later, at the beach, a group of 18 year olds call her Miss. Sexy and try to ram their car into her. I told you so.

Men are clicking photographs of bikini clad women on the beach. I hear comments made on us, on other women. I see cameras phone cameras turning our way too, occasionally. Turn your body. Don’t let them get your face. Warn your roommates. Someone sings a suggestive Bollywood song. Ignore them. Confrontation will lead to ugly defensive fights and eventually labeling you a slut. Attention seeking b***h, they will call you.

Rest of the trip is spent frolicking on the beach, and dodging/tuning out hecklers. She is proud of me. Tired and rejuvenated by the sunshine and sand, we forget the heckling, the “Happy Holi *wink wink*!” remarks, and make our way to the Goa-Pune bus.

Chaos. Where’s our bus? Nobody is picking up our calls. The name on the ticket and the names of buses don’t match. Finally, one enterprising ticket checker helps us. Turns out, Christopher travels possibly had a religious epiphany, and sent Mahakali travels instead. Alright. We made it just in time. The cleaner of the bus is visibly annoyed. He looks us up and down, decides he could afford to yell in disrespect. Forty pair of eyes judge us as we walk in, mumbling apologies for not turning up ahead of time. Notice those eyes darting to your legs? Where’s the wrap-on I wanted you to buy? Oops. Rest of the journey will be spent ignoring stares and remarks.

Men are staring, says A. Ignore. Let them judge. We have practiced and perfected the art of ignoring.

Bus stops at a drive-in hotel. Those eyes again. Ignore this time. Don’t react. Hunger soon shuts her up, and our tired bodies contort themselves back into the rickety bus.

Everyone soon falls into tired slumbers- a bus full of potential contortion artists. A loud bam wakes everyone up, and someone groans about a punctured tire. The painful wait for a replacement bus starts. A group of men station themselves outside our windows, speaking loudly in Tamil. They assume nobody understands their obnoxious remarks, ignorant that yours truly and N speak the language. “Can I ask them to shut up? They are too loud.” True. I cannot sleep, and I desperately want to. But they are a group of men. What if they abuse you, call you names? There are different ways they could make your journey difficult. Let us not mess with strangers.

The replacement bus arrives, and forty adults run towards it, as though the seats would vanish. Everyone is probably occupying the previously allotted seats, I think, following the same serial numbers. We walk in to see a crowded bus, with people occupying any seat they pleased. There are people occupying the seats allotted to us. A woman holding an infant is pleading with a young man for her seat, and he casually remarks, “I wasn’t the first person to change my seat.” His voice progressively gets louder and angrier, and he storms off to the back as I stare in surprise. How easily can you adopt and adapt into someone else’s mistake?

The four of us struggle to find seats, and refuse to sit. The cleaner comes in, as per our request. “This a 45 seater Ma’am, there are 48 of you.” Men push me, to make their way to the back. I voice my refusal. Why isn’t anyone else expressing their annoyance? Forty adults in the bus, and maybe seven of us calling for common sense.

“Why aren’t people in their seats? Please ask them to go back to their allotted seats.” “Ma’am, aap log hi settle karo, humein nahi pata,” the cleaner promptly replies. (Ma’am, you figure that out yourself, I don’t know) “Fine, what happens to the fourth person? We have four tickets and three seats now.” “Driver ke saath cabin mein aa jaayiye!” (You can travel in the cabin with the driver). Alright. My brain mumbles a yes, and I am ready to grab my bags, when she wakes up. WHAT ARE YOU DOING? Cabin in the front with the driver and three strangers? NO. If you get groped/molested/raped/abused, you will be called a slut. Your clothes will validate it too. She wins, again. I refuse, take up a seat with another woman, and sit down. The men outside our window are now behind me, being obnoxiously loud again. They snigger at my meekness. It’s okay. Safety first. Ego can wait. A and N struggle to put their heavy rucksacks on the overhead shelves. One of the men remarks in Tamil, “Somebody ask these girls to shut up and sit down!” Giggles and sneers follow, along with loud laughter. Very funny, of course. By passing a veiled comment snidely, you have proven your machismo.

She wants to pipe up, but instead I turn and scream, “I perfectly understand Tamil. Please stop commenting. Please stop commenting.” “Huh?!” “Yeah, please just stop.” Someone repeats my remarks in Tamil, along with a mumbled “They speak Tamil.” Even she has had enough now, for second thoughts are replaced with the oh-so-familiar feelings of anguish, exasperation and disgust. Around me, the obnoxious men have gone to sleep. Am I the only person sleeplessly pondering questions of self-respect? How do you have any amount of self-respect left, after having caused anguish?

For anybody who asks me why I need feminism, this is my reply.

I need feminism because I live in a world where all my actions are governed by second thoughts. Second thoughts that have perfectly internalized sexism.

I need feminism because fear for my own safety has become second nature to me.

I need feminism because if anything happens to me, it is because of my clothes, it is because of my face, it is because of MY actions, it is because I was reckless.

I need feminism because consistently, people tell me sexism is no longer a problem-that women are equal now. That because I was an “equal woman”, I had no right to talk about sexism. That every day, I had to take disrespect flung at me, in whichever form, and shut up. That if I dared to speak up, I would be called pretentious, phony, bitchy.

I need feminism because I am tired. I am tired of fear, disrespect, being judged, being called names, of having to learn to tune out and ignore these.

I need feminism because character depends on one’s actions, not on one’s clothes.

I need feminism because I deserve to feel safe everywhere, in spite of what I am wearing.

I need feminism because everyone deserves to be respected, and sexism needs to be called out.

I need feminism because as a woman with “equal rights”, I shouldn’t have to explain why I am a feminist.

I need feminism because I shouldn’t be spending sleepless nights in anger, while perpetrators of sexism sleep peacefully elsewhere.

I need feminism because I don’t deserve being called one of “those girls”. I need feminism because I shouldn’t have to write three pages on this.

I need feminism because clearly, the society is facing a crisis, where women’s lives are unfairly fraught with disadvantages of varied nature. If you could fix that and then tell me I don’t need feminism, I would gladly agree.

Disclaimer: I don’t mean, in any way, to sound misandrist. If I have come across that way, I sincerely apologize. There is no intention of portraying any one category of people in bad light. Whenever I have used the terms people/society, I have meant both women and men. While much anger has been vented out in this piece, I also fully am grateful to all the good people I have met.

Rekha Kamath is currently a Teach For India Fellow in Pune. She teaches second graders in the PCMC Corporation School. She describes herself as a Development Studies Student and feminist.

This is the link to the original article:

https://www.facebook.com/notes/rekha-kamath/second-thoughts/10151974183846987

Starting Line.

My flight has been delayed by 2 hours, I am sitting at the boarding area staring joblessly at a 2 year old baby rolling himself in the dust of the airport floor. What an age to be in! Bored to death, I decide to read random articles and chance upon this- http://www.indianexpress.com/news/that-boy-in-yellow-nail-polish/1041760/0

I suggest all of you to read it. I love the way she has put forth the idea of cliche and anti-cliche.

Haha, it also reminds me of how we used to dress up Aryan, my nephew, as Radha. Such a cutie he is. Its a long story, I'll tell you some other time.

A lot of things have been happening around. The Delhi Gangrape case is blazing the news and social networking sites. And I can't help but relate the article to the case.

Where does it all start?

Gender stereotypes stem out from a child's social setting and most importantly, upbringing. Boy children are expected to only play with violent superhero toys, or cars, or you know, 'boy' stuff. Girls, are meant to play with barbie dolls and other dolls and other dolls and kitchen sets and basically 'girly stuff'. Boy clothes are blue. Girl clothes are pink. And so are the rest of their belongings, room, bedspread, towel, accessories, even stationery. Fairy tales teach little girls AND little boys that the princess is a weakling, a damsel in distress, waiting to be rescued by the strong prince charming. And in reality, the same little girls and the same little boys fall for this rationale. In a more conservative set up, the sole purpose of a daughter's life is to get married and serve her husband and cook for her in laws, while the boy is to grow up to be the man of the house, and step out of the house to earn a living - these ideas being enforced into a child's mind right from the time he/she are born.

While this trend is the most prevalent in this part of the world, given its patriarchal orientation, we have seen some change over the last few years. Attempts have been made to empower the girl, make her 'strong like a son'. However, like Lalita Iyer mentions in her article, we celebrate it when our girls do boy things and not enough when our boys do girl things. A very common thing we get to hear from parents of a accomplished successful girl is - "Our daughter is our son". On the other hand if the boy decides to take up a 'girl oriented career' (trust me, there are stereotypes related to jobs we are all aware of), he is often ridiculed at. Boys are not meant to cry, sensitive responses from boys are labelled as cowardice. The male ego is not born, it is made to develop.

At a lot homes, examples are set for children, the wives have domestic roles, she is meant to stay home, have babies, look after them. Her 'job' is looking after household chores. She is meant to serve her husband sexually and otherwise if required, not complaining and not asking for anything in return. She is expected to have learnt all of this from her mother. The husband is the provider for the family, he has therefore the right to do whatever he wants, go wherever he wants AND sleep with whoever he wants.

Besides these, there are other societal influences. Alcohol is a boy thing. Visiting temples is a girl thing. Going out is a boy thing. Sitting home is a girl thing. The idea of good and bad is mostly settled by the society and in this part of the world, anything 'good' for boys is bad for the girls.

When the same boy grows up to be a rapist, I wonder why the people get surprised. If you haven't taught a child to be sensitive and respectful of all other people irrespective of their identities, how do you expect them to respect the freedom of a woman?

I urge you to think deeply, the concept of rape is largely associated with power play. Though sometimes, it could be a case of revenge or sheer sexual impulsiveness, mostly it is about gender identities. It is about the man believing that he has more power than the woman. In these cases, rape becomes a platform to assert this notion of power.

In my opinion, rape is psychopathological. It is not normal, but with the kind of edge that men are given over women, the society seems to sanction it. And the society is made of people, like you and me.

There has been a very strong response to the Delhi case. Castrate the rapists, people say. Hang them to death, others assert. The rapists deserve the punishment too. In fact, I believe they deserve to frikkin Rot In Hell. But hanging them is not a solution. It is too easy a punishment. They need to be made to realise the gravity in their deed.

We need to dig deeper. We need to talk about eradicating rape. We need to stop talking about consequences but start talking about the root cause of it.

We need to sensitise people, especially men. Pathology has treatment, and if rape is a case of abnormality, there has to be a solution to remove it. The solution lies amongst us.

This incident left me shaken and crippled with fear. And learning martial arts will not remove this fear, neither will killing the criminals. Stricter laws need to be enforced, policies need to be changed, I agree. But what requires change the most, is the mindset of the people.

When I grow up, I want to have a daughter. And a son. And I am going to teach them to respect each other and the rest of the world irrespective of their gender identities.

The process of changing the society is very slow, the only way I can start is by changing myself. And so can you. And I hope someday change will happen, if not for me or you, for the strong girl fighting for her life at the Delhi hospital today and for hundreds of others who fight this battle everyday. I have this dream.

On an unrelated note, my flight is here, the food they gave me is horrible and I can't wait to get home. 

There is so much more I want to write, and will soon.

Teri Keh Ke Lunga...

*I wrote this as a part of my english assignment.*

Directed by: Anurag Kashyap

“Ik bagal mein chand hoga, ik bagal mein rotiyan,

Ik Bagal mein neend hogi, ik bagal mein loriyan.”

Gangs of Wasseypur is story based on real life incidents that happened in Wasseypur and Dhanbad across 30 years and 3 generations. Kashyap has kept the movie undoubtedly real - except for certain stances of dragged unnecessary scenes of humorous action - the ordinariness of it is what makes it extra-ordinary, the unconventional “evilwinsovergood” ending strengthening its ties to reality.

The plot is a very complicated story made simple. Gangs of Wasseypur is a story of revenge across generations. Set in Wasseypur, a village in Bihar, the movie initially revolves around the increasing differences between the Pathans and the Qureshis, while the Zamindars take advantage of this gap and prosper out of it. Ramadhir Singh, the most powerful coal mine contractor in town kills his sidekick Shahid Khan on discovering his plot to overpower and possess his own coal business. A witness to this is his perceived brother – ChachaJi and 7 year old son Sardar Khan. Growing up, Sardar Khan has only one resolve – to seek revenge and kill his father’s murderers – Ramadhir Singh and his aides -the Qureshis. And thus starts a legacy of payback and betrayal. A story expanding over families and sons and sons of sons, till Faizal Khan realizes that it should have all been over with Shahid Khan’s death - this, after he has lost his entire family, except for his pregnant wife and ChachaJi. It has certain masala movie nuances when children from the enemy families fall in love with each other but this can be explained away as an attempt to bring peace. This movie speaks of another important human action – betrayal. The movie ends with Faizal Khan’s half-brother ‘Definite’, this one man he trusted his life on, killing him. The irony however is important to be noted, while on one hand Definite betrays his brother, he does so to keep his mother’s trust. The good man dying while the bad survives- the perceived villain winning while the hero perishes – this ending is avant-garde in Indian cinema, something the audience might have been repulsed by, but it justifies the real life incident this movie is based on. The last scene is Faizal’s wife – Mohsina and their child dreaming away to a beautiful Mumbai Backdrop along with the most consistent character in the movie, ChachaJi.

The acting is at par or I could say above excellent. Richa Chaddha plays Nagma, Sardar Khan’s eccentric 22 turning into 60 year old wife and has stood out. Manoj Bajpai is true to his talent; Huma Qureshi has an important role to play in the second part and is scintillating with her dialogue delivery. The “parmisan lena chahiye tha nah” pierced through many hearts. The cast has done a brilliant job giving in to what Kashyap had expected and there are simply no complaints when it comes to that. The one man proving his worth has however been Siddique, his character going through the most transitions while he effortlessly juggles around. Even his ‘philmi-ness’ has managed to look real.

The movie was released in 2 parts, and unlike the first part, which is ‘perfectly fit’, the second certainly has some extra baggage – these relatively unreal sequences constitute around half-an-hour of the whole movie if put together. The scenes however complement the dialogues and the acting. In spite of the extreme amount of violence, this movie does not hurt the eye. It is explicit in terms of sex and vulgar use of language, extremely overt in the latter in fact, but the language has been used finely to create the required environment. Humour is immense and woven with violence; it adds to the unconventionality of the movie, something only Kashyap is capable is doing of. (Who else would call the characters of his movie Dephinite and Perpendicular?) Intricate human emotions are portrayed through relationships and romance. Although not shot at the original locations, the film will push you into almost similar surroundings of the standard Indian village in Bihar. The movie attracts mixed audiences given its language and outer appearance. This movie has explored unknown territories to emerge as exemplary in case of the “new” in Indian Cinema.

What stands out the most in the movie, apart from brilliant acting, is the sensational music by Sneha Khanwalkar. Khanwalkar has managed to fuse the west with the east, folk with classical, music with noise and create something refreshingly new and original. The explicitly ‘cheap’ innuendos used in the lyrics combined with the electrifying sound effects have given birth to a new genre in Bollywood.

Amidst the backdrop of revenge, betrayal and violence, Gangs of Wasseypur has a much subtler message to offer – the message of resistance and peace.  Despite instances of backstabbing, it speaks of being together through difference and of friendships beyond boundaries. And it speaks of love. It speaks of choices and wrong choices and most of all it speaks of human weaknesses and tolerance. Gangs of Wasseypur has no heroes and no villains. It is a story which begins with circumstances and ends with the same.

Social De-Construction.

(Chapter I)

When I talk of social constructs, nothing is right or wrong. Notions that we have learnt unconsciously through our social environment constitute a part of our personal life. Notions like, ‘a woman will always favour her daughter over her daughter in law’, ‘no woman will ever regret experiencing those defining nine months’, etc, I do not wish to assert that they are all correct, but just that there is a possibility of them being wrong also. The idea here is to consider alternatives. These notions pose a problem when they get converted into absolute ideologies which we start practicing in our public and private spheres. I think that these social constructs are what give birth to stereotypes.

What interests me about the study of psychology most is that it studies behaviour from a very subjective perspective. Unlike other sciences, it believes in individual differences. Two people might not have the same reason behind the same action or they might, but that does not prove that the third one will too. In some way I believe, psychology defies the idea of a majoritarian statistics giving space to minorities and exceptions. It is inclusive yet exclusive. It gives space to choice.

Coming back to stereotypes, let us take the example of love, the ‘idea’ is that love is conditional. My point is there is nothing universal about it. It could be conditional and yet ‘true’ love. (Or it could not as the obvious suggests) Life is more about what things are rather than what it should be anyway, right? And when people sign up for their actions attributing different causes to their behaviour, how universality matters, I fail to understand. I am not against generalization. There are a lot of universal laws pertaining to life – Rape is wrong, for example, nothing can justify it. But when I talk of subjectivity, I am talking of things which are more artless and emotional in nature.

No matter how much statistics argue against, we need to look beyond the obvious. We need to look at all possibilities. The general idea is it might make you broad minded, the subtlety lies in its ability to make you close also. See subjectivity?

This post may come off as a paper or textbook material, it may come off as boring, it may come off as a disappointment or a revelation even. Different people might have different things to take from it or nothing at all. Exactly my point, ma’am.

Photo Source : http://retrieverman.files.wordpress.com/2012/05/its-okay-to-disagree-with-me.jpg